New PDF release: 3D Postproduction: Stereoscopic Workflows and Techniques

By Rick Baumgartner

ISBN-10: 1135040443

ISBN-13: 9781135040444

Grasp the advanced realities of 3D put up creation workflows and options with this extraordinary consultant.

Brimming with ideas which were used on genuine 3D productions and will simply be included into your individual workflows, Rick Baumgartner's 3D Postproduction deals you:
• the simplest practices for 3D preproduction and creation to make sure a soft submit technique, saving either time and money
• considerable workflow diagrams, reveal grabs, and checklists to augment your studying with visible cues
• universal postproduction concerns similar to dailies, meeting, slicing, and colour correction, and the way they vary among 3D and 2nd submit pipelines
• Examples of 3D long past undesirable and the way these situations could be avoided
• In-depth interviews with operating pros and broad tutorials that offer useful perception from the trenches of real-world 3D postproduction

A significant other site ( that includes undertaking records and movies demonstrating the 3D workflows coated within the book

An potent 3D postproduction workflow allows more uncomplicated and extra versatile enhancing, higher capability for visible results enhancement, the facility to mend construction error, and masses extra. You can't have the funds for to overlook out!

Bring your 3D initiatives to the following point with 3D Postproduction: Stereoscopic Workflows and Techniques.

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Extra resources for 3D Postproduction: Stereoscopic Workflows and Techniques

Sample text

In some cases, sync issues can only be resolved with 2D-to-3D conversion. 2 Core Spatial Condition In order for a 3D frame to have depth L and R must be slightly different views of the same scene. Thus, the core spatial condition for 3D is proper horizontal separation between the L and R images in image pairs. To describe this horizontal separation, we use the term parallax, a term borrowed from fields relating to optics and human visual perception. In a 3D context, parallax defines the amount of horizontal separation between similar points in L and R.

What your body is telling you is critical. If there is something wrong with an image, that’s usually where your eyes will go. So let your eyes drift. 3D imagery should be as comfortable to look at as 2D imagery, except in extreme creative situations where you want an audience to feel the shot a little. Trust your eyes, let them drift, look all over the frame. Take your glasses on or off frequently so that you can associate feelings with issues. , on-set depth or color processing or preparation for editorial), and/or • follow (as with most natively shot indie 3D productions) production/ principal photography.

Use whatever level of detail— workflow, element or process—you feel you or your team need to understand, plan and implement your show. These 216 categories also provide the organizational structure for this book. 1 Overview and Workflow Chapters After an overview of 3D post, Chapters 2 through 7 examine each of the six core 3D workflows. In each of these chapters, following a brief overview of the workflow and its role in 3D post, we examine key differences between 2D and 3D post for that workflow.

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3D Postproduction: Stereoscopic Workflows and Techniques by Rick Baumgartner

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