Download PDF by George Tiffin: All the Best Lines

By George Tiffin

ISBN-10: 1781852014

ISBN-13: 9781781852019

Pithy put-downs, hard-boiled snarlings, phrases of affection and regret...ALL the easiest traces provides 500 memorable motion picture fees, embracing either one-liners ('My identify is Pussy Galore') and slices of snappy discussion from photographs as various as while Harry Met Sally and Pulp Fiction. prepared lower than such undying subject matters as goals, pals, Libido and thoughts, the fees juxtapose motion pictures and stars from each period and each style. Dotted through the textual content are function drugs concentrating on topics and tales within the video clips from Goldwynisms to Mae West, plus a beneficiant scattering of cinema anecdotes, making the publication either a pleasure to browse and an authoritative reference. Lavishly illustrated with full-colour pictures, all of the most sensible traces will pride and entertain you in equivalent degree, reacquainting you along with your favorite video clips and introducing you to a few forgotten classics. a person who loves the films could be thrilled to discover it of their Christmas stocking.

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Additional resources for All the Best Lines

Example text

In contrast to the subtle, reserved image of the grieving father, the subsequent poses are exaggerated and animated, reflecting the younger age of the characters. As the boy at the carnival, Douglas screws up his facial features, retracting his head into his neck and recoiling his lips to depict revulsion and horror. 65 The photographs of Don Cheadle included in the collection also offer economies of movement according to open and closed gestures. For his first scenario (‘You are a man at a bar, overhearing another man telling his friend about your wife’), anger is depicted via a stone-faced expression with the mouth tightly shut and with his head tilted to one side in a confrontational stance.

These include feminist scholar Judith Butler’s notion of ‘performativity’, and Steven Cohan’s ‘masked’ men, which bridges the gap between performance, gender and film. Drawing from film scholars such as James Naremore, Roberta Pearson and Andrew Higson, I finally map theories of performance and gender onto film performance and acting, setting up the theoretical parameters that will inform the case studies of the following chapters. I return to Glengarry Glen Ross throughout the chapter, extending the reading of male performers and performances of masculinity started in the Introduction, to elucidate the complex relationship between masculinity, performance and film that is central to this book.

Elaborating on J. L. 21 According to Butler, because gender is performed – that is, made up of a series of acts and rituals that are consistently repeated – it not only questions the naturalness of gender, but also calls into question the existence of a ‘true’ gender to begin with: Because there is neither an ‘essence’ that gender expresses or externalizes nor an objective ideal to which gender aspires, and because gender is not a fact, the various acts of gender create the idea of gender, and without those acts, there would be no gender at all.

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All the Best Lines by George Tiffin


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