By Aristoxenus, Henry Stewart Macran
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Extra info for Aristoxenoy Armonika stoicheia: The harmonics of Aristoxenus
This symbol designates the frequency and the duration, or length of time, of the pitch. A musical sound is also perceived at a certain volume (its loudness or softness), and with a distinct quality known as tone color or timbre. This is how we distinguish voices from instruments, and a trumpet from a tuba. We will see that the distinction between noise and music has become blurred in modern times. wide, as in some melodies played on an instrument. Although this distance can be measured in the number of notes, we will describe range in approximate terms—narrow, medium, or wide.
Menuetto (Allegretto) & Trio IV . Finale: Molto allegro W. A. Mozart (1756–1791) Intermission Chinese pianist Lang Lang (b. 1982) has been called “the hottest artist on the classical music planet” by the New York Times. Concerto No. 1 for Piano and Orchestra in B-flat Minor, Op. 23 I. Allegro non troppo e molto maestoso; Allegro con spirito II. Andantino semplice; Prestissimo; Tempo I III. Allegro con fuoco P. I. Tchaikovsky (1840–1893) Barbara Allen, piano The University Symphony Orchestra Eugene Castillo, conductor In Her Own Words Applause is the fulfillment.
CRITICAL THINKING 1. How do composers vary rhythm and meter to keep the music interesting? 2. Do you find rhythm in music you listen to simple or complex? Explain your answer. ” —R OBERT S CHUMANN (1810–1856) KEY POINTS ■ Harmony describes the vertical aspects of music: how notes (pitches) sound together. ■ A chord is the simultaneous sounding of three or more pitches; chords are built from a particular scale, or sequence of pitches. ■ The most common chord in Western music is a triad, three alternate pitches of a scale.
Aristoxenoy Armonika stoicheia: The harmonics of Aristoxenus by Aristoxenus, Henry Stewart Macran